A careful examination of the film reveals a strong message and a strong film. This film is a showcase of the radical and moderate themes expressed by Black activists, with Laurence Fishburne's character as the leader and role model of the film.
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The message of the movie is deeper than White or Italian based gangland movies, because the human aspect and the characters are more solid and approachable, and rooted in highly intellectual and applicable theories on race and violence. The direction of the film is fluid and natural, the acting heartfelt and strong, the affect extraordinary. The film concentrates on a Black community without the interactions between communities shown in Do the Right Thing, another epic race commentary. The film Boyz n the Hood is an intricate examination of the archetypes and stereotypes of the hood, as well as an introduction to the survivors, both trapped in the violence and escaping the cycle. Out of an era of gangster rap came a nationwide exposure of the issues within the Black and Latino communities, and directors like John Singleton and the Hughes Brothers follow in the footsteps of the great Spike Lee. are discounted as novelty entertainment for audiences seeking sex and violence. Most movies about life in the hoods of LosAngeles, New York City, and other urban areas of the U.S. I could think of far worse places to begin developing that understanding than Boyz n the Hood. These are not 'black problems', they are everybody's problems, and their solutions will require everybody's understanding. Every American who cares about the vast untapped potential of our people ought to take a long, hard look at this one. This is a great film about real issues, sensitively portrayed and thoughtfully examined. While some may see some of the film's messages as heavy-handed, and others might have issues with the fact that the film deals with so many of the problems of inner-city life in a very 'in-your-face' almost archetypal manner, I find these criticisms impossible to justify. While I had enjoyed some of his music prior to this film, it was here that I was first exposed to his versatility and intelligence as an actor. For me personally, this is the film that convinced me that Ice Cube was destined to become a major personality in American cinema. Many of the performances recorded here are award-worthy - Fishburne, Bassett, Chesnutt, Gooding, and Ice Cube are especially memorable. losing the identities of big personalities like Fishburne and Ice Cube is no mean feat. The cast disappears into their characters and brings each one to life in a unique and powerful way. The film follows his son, Tre, and his friends, from the hardships of childhood in an irrelevant educational system and a neighborhood which doesn't allow kids to be kids, through to the realities of making decisions about the value of life and the development of responsibility and hope as young adults. Laurence Fishburn leads one of the best casts of the early 1990s, in his memorable portrayal of Furious Styles, a father trying to raise his son (Cuba Gooding Jr) well in an environment where murder and substance abuse are day-to-day realities - South Central L.A. This is not a hip-hop film, nor a detached and dehumanized story about "gang violence" (the great over-simplified scapegoat of the issues treated in this film), its a story about growing up fatherless or motherless in a war zone with a faceless enemy, where people do not value each other's lives at all and value their own lives only slightly more. John Singleton's Boyz n the Hood remains one of the best fictionalized and most poignant summaries of some of America's toughest internal problems - racism, violence, poverty, and drug abuse. Reviewed by mstomaso 10 /10 Hard, thoughtful film with messages for everybody